12/26/2023 0 Comments A wrinkle in time vex movies![]() ![]() They - Disney, one of the biggest corporate forces in entertainment - will of course be fine, but that was never really the issue here. It's not unreasonable, you know? Tomorrow they can say, 'No we don't want you to make movies anymore.'" She declared to the New York Times that she didn't care what anyone thought of the film she got to make: "I know it’s $100 million for the studio. Until she was approached by Disney, DuVernay went "from that to Selma, and there is nothing else on the horizon? That didn’t feel good, and that had me in a depressed place." In March, she told the Associated Press, "I want to do as much as I can do when I can. In February, she pointed out to the Washington Post that while she and Colin Trevorrow both had films at Sundance in 2012, he went on Jurassic World and then (though he's no longer attached) the next Star Wars movie. As someone who worked for years in marketing and PR before moving into filmmaking, she's seen the industry ebb and flow, and is clearly trying to carve out a place for herself in its shifting narrative. While someone like Guy Ritchie has been able to go from having two sizable box office bombs in a row to getting hired to direct the live-action remake of Aladdin, women like Mimi Leder and Karyn Kusama were consigned to "movie jail" after their own flops, spending years trying to get follow-ups funded and their careers back on track.ĭuVernay is the first black woman to direct a live-action movie with a $100 million–plus budget, and she tends to talk about the opportunity as the kind that might very easily be denied to her in the future - and one that easily could have never come along at all. In interviews, DuVernay acknowledged the history she was making, but also referenced Hollywood's own history of taking risks on and giving multiple chances to certain white male directors, while tending to give women - especially women of color - one shot, presuming they're given a shot at all. ![]() The filmmaker responsible for Oscar nominees Selma and 13th had been pursued by Disney to adapt Madeleine L'Engle’s 1962 science-fiction novel for the big screen, reimagining the story's heroine, Meg Murry, as a biracial girl played by relative unknown Storm Reid. Online reactions after the glitzy premiere screening struck some as muted - not negative (which would have been rare at a premiere) so much as absent, as if people were reluctant to share how they felt.īut the most telling indications that Wrinkle was a risky release, rather than a guaranteed blockbuster, came from Ava DuVernay herself. The embargo, the time frame for running reviews that critics have to agree to in order to go to those screenings, was late, a day and a half before the movie started playing in theaters, which generally suggests that the studio did not expect those reviews to be glowing. Advanced screenings of the film seemed more selective and sparse than usual. Hints that Disney did not expect A Wrinkle in Time to be a world-dominating hit started appearing a few weeks ago - signs and portents that were pored over by the journalists and industry observers following along online.
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